Cindy Sanyu Challenges Musicians to Work Within the Structures Instead of Frequenting on General Saleh

Since the COVID-19 lockdown, General Caleb Akandwanaho, commonly known as Salim Saleh, has become a significant figure in Uganda’s entertainment sector.

As the Chief Coordinator of Operation Wealth Creation, he has offered direct support to musicians and engaged with them to address their concerns.

However, General Saleh has recently expressed frustration with the increasing presence of musicians in Gulu, particularly their growing demands.

In a handwritten letter dated November 17, he addressed Eddy Kenzo, the president of the Uganda National Musicians Federation, urging him to manage the influx of artists into Gulu, as it was disrupting his duties.

More recently, General Saleh voiced his frustrations on camera.

“Musicians, I am tired of you. I have to repeat that on camera. You’ve taken a lot of my time. I haven’t even had a chance to meet with members of the National Resistance Movement. In the morning, I meet with Bucha Man, in the afternoon, Ragga Dee, and in the evening,” he said.

Speaking to Sanyuka Television about these developments, Cindy Sanyu, the president of the Uganda Musicians Association, praised General Saleh for his patience and efforts toward the music industry.

She acknowledged that he had done everything he could, but now it was time for musicians to make use of the structures he has put in place.

She emphasized that it was important for him to clarify that he no longer wants to handle the music industry directly, as he is only human.

Cindy noted that many musicians avoid these structures because they feel the process is too long, opting instead to approach General Saleh directly.

She reminded musicians that General Saleh cannot resolve all the industry’s challenges and encouraged them to engage with the established frameworks for discussing ideas, proposing solutions, and moving forward.

Cindy made it clear that the music industry is run by musicians, not General Saleh, and explained that the Uganda Musicians Association (UMA) stopped seeking his direct assistance some time ago.

“We (UMA) understood that our work falls under the National Culture Forum (NCF) and the Uganda National Cultural Centre (UNCC),” she said.

She advised musicians to approach the relevant bodies that oversee their affairs.

Whether General Saleh is tired of dealing with musicians or not, Cindy stressed that the music industry will continue.

She urged artists to choose between organizations like the Uganda Musicians Association (UMA) and the Uganda National Musicians Federation (UNMF), both of which provide platforms for musicians to meet and discuss industry matters, rather than relying on an individual.

Cindy acknowledged that since the lockdown, General Saleh has been generous, offering help and support to many artistes.

She appreciated his contributions, including assisting the Uganda Musicians Association (UMA) with structural setups, but reminded musicians that he is human and can only do so much.

“It is time for musicians to stop relying on General Saleh and start utilizing the structures he has established,” she emphasized.

Cindy also encouraged musicians to focus on improving their craft, producing quality music, and building their brands.

She concluded that relying on handouts is unprofessional and harms both personal and brand reputations.

By following proper channels, Cindy believes the music industry and its artistes can achieve greater success and sustainability.